I’ve always had a rebel streak in me. Got it from my dad, a grown man who relished finding ways to break rules without technically breaking them.
Dad liked to say he didn’t “play according to Hoyle,” a reference to the famous book of rules for card games (see According to Hoyle). Clueless at the time about the Hoyle reference, I knew from context what dad meant: he liked to do things his way.
How dad navigated our expressway tollbooths speaks volumes about him, and by extension, me. He’d always have exact change in hand when pulling into what was then considered an automated tollbooth (long before the days of ipass scanner technology). He’d toss in his coins without coming to a stop, punch the accelerator, and race toward the tollbooth red light, his goal, to trip the alarm before the light turned green—ding, ding, ding, ding, ding!
And on the rare occasion the green light beat dad to the punch, he was visibly disappointed, a lost chance to stick it to the man–or at least tweak him–without technically breaking any rules.
I still remember asking dad why he did it. His answer was borderline blasphemous: “I don’t have time to wait for the goddamn light to turn green—I’m a busy man!”
And with all due love and respect to my dad he was full of shit; he blew those tollbooth lights because he didn’t play according to Hoyle.
These moments are still etched in my memory forty years later. And even with all the teenage relationship issues I had with my dad at the time, every time he’d trip those annoying tollbooth bells, I remember thinking he was about the coolest guy in the world.
With that kind of role model it’s no surprise I turned out the way I did. And not so outlandish that I ended up in Pahoa, a place where folks don’t play according to Hoyle.
From Outlaws to Barefoot Hippies With iphones
Pahoa has an outlaw reputation that was well earned back in the 1970s and 80s during its pakalolo heyday. Pakalolo (literally, “crazy weed”) is still around of course, but the heydays of yore are well behind Pahoa–for reasons beyond the scope of this post.
Hoyle and his rules notwithstanding, Dad wouldn’t have liked the old outlaw version of Pahoa, nor would he have been thrilled with today’s version either; way too many hippies for his liking, and not a single tollbooth to violate.
But dad would surely have appreciated the historical significance of Pahoa Town, and grudgingly acknowledged its funky Bohemian charm.
Interestingly Hawaii’s own locals are harder on Pahoa than most mainlanders. Shortly after moving here it surprised me to learn that Pahoa’s reputation extended to our neighboring islands. I still remember exchanging business cards with a client in Honolulu who, upon seeing my Pahoa address, asked with tongue in cheek, “Who in their right mind moves to Pahoa?”
I’ve even heard of folks born and raised in nearby Hilo—just 30 miles away—who have never in their lives been to Pahoa Town, not even the Puna district, because of the bad rap we get. So bad is our rap, that even Dog the Bounty Hunter’s crazy wife Beth once warned viewers that, “Puna is a place you don’t want to be after dark.”
There’s a story behind Puna’s outlaw reputation, a topic for another day. Suffice it to say that the “Wild East” days of Pahoa Town are well behind us, but the reputation lives on.
Last time I ventured into Pahoa there were no outlaws, no bounty hunters, just a few barefoot hippies gazing at their iphones. (But let’s not tell Dog and Beth.)
Who in their right mind moves to Pahoa?
If my circle of friends is any indication, people in their “right minds” actually do live in Pahoa, but they tend to stand out. The good news is, Pahoa tolerates normal people too.
For context it’s worth touching on local demographics. In addition to the native Hawaiians, Pahoa and the surrounding area is populated by locals of various ethnic and racial backgrounds, many of mixed heritage, many third and fourth generation Japanese. Being that this is their turf and all, the local folks would logically represent “the norm” in this context–which by default makes the rest of us the oddballs.
The area has also had a new influx of transplants from around the world over the past decade, mostly from the mainland. Last I checked Caucasians are still in the minority in the Puna district, and that’s fine with me, as my former life in Japan taught me to embrace being the only white guy on the block.
It’s useful to think of Puna locals as a completely different culture, richly diverse, but generally much closer to Asia than mainland U.S.A. The fact that the locals speak English can almost lull you into thinking otherwise, but deep below the familiar linguistic surface, culture gaps abound.
To an outsider–even folks from Honolulu–the Puna district seems like a strange, exotic foreign country. But most Puna locals I know, within the context of their own cultural norms, tend to be a socially conservative lot. So let’s forgive them for thinking us newbie transplants are a little strange and not quite right.
But all bets are off for the rest of us who moved here in search of Hoyle-free horizons. We colored outside the lines of our respective cultures, and were just crazy enough to move to the world’s most isolated landmass at the foot of the world’s most active volcano. I think Pahoa is a better place for it.
After living through two disasters in just the past three months, you’d think I’d be ready to pack up and run for the hills. Amazingly these disasters have had the opposite effect: after being on the receiving end of so many kindnesses–through hurricane Iselle and now this sputtering lava flow–I’ve fallen deeply in love with my community.
And if that’s not crazy enough, here’s yet more evidence I’m off my rocker: before all this happened I was not a big fan of Hawaii County. In a minor miracle of sorts, the County folks have won me over. Now I want to hug everyone one of ‘em, from Mayor Billy Kenoi to Civil Defense Director Darryl Oliveira–and especially the unsung heroes on the front lines monitoring the flow. These folks have been rocking it through thick and thin–to the point that I’m feeling kind of guilty about all the bad things I used to say about them. I take most of it back!
I’d be remiss not to mention that Pahoa has more than its share of warts: crime, poverty, alcohol and meth addiction, spousal abuse, homelessness—the same stuff we had back on the mainland. So if you’re looking for trouble in Pahoa–or anywhere in Puna for that matter–it’s easy enough to find.
But if you’re looking for good-hearted people who have your back when the power goes out or the lava hits the fan, well, they’re even easier to find, and sometimes they find you. (Learned this firsthand in the aftermath of Hurricane Iselle, when on three different occasions during a 5-day power outage, folks showed up at our front gate with free ice, two of them complete strangers.)
No matter what happens with our ongoing lava flow, no regrets moving here: so much good has come to my family, so many new friendships formed, such a rich, meaningful life we live. Did I mention the weather is awesome? No, we’re not going anywhere.
And if my dad were alive today he’d tell me what a dumbass I was to live at the foot of an erupting volcano in a house anchored to a concrete slab sitting in the path of a lava flow. If he put it that way I’d have to agree with him. But I’d remind him that I don’t play according to Hoyle either, and he’d understand–at least I’d like to think so.
Stay tuned for more ramblings on Pahoa. If you like classic rock from the 60s and 70s, check out these two jams we stumbled onto in our town’s main parking lot behind Luquin’s. We ended up hanging with a bunch of old hippies, the real deal. (Unlike dad, I’m totally chill with the hippies). Together we took a musical trip down memory lane while we lamented the passing of Pahoa, now looking like a premature eulogy. We’ll see. What the clips below mean to me, is that Pahoa has the magic–the mana–to make a group of strangers hold hands and feel like old friends. (Please forgive the dark image, I took this at night with an iphone; but hopefully the spirit of the moment comes through):
Copyright © Tim Sullivan 2014