Tag Archives: Puna

Who In Their Right Mind Moves to Pahoa?

PahoaOffering

I’ve always had a rebel streak in me. Got it from my dad, a grown man who relished finding ways to break rules without technically breaking them.

Dad liked to say he didn’t “play according to Hoyle,” a reference to the famous book of rules for card games (see According to Hoyle). Clueless at the time about the Hoyle reference, I knew from context what dad meant: he liked to do things his way.

How dad navigated our expressway tollbooths speaks volumes about him, and by extension, me. He’d always have exact change in hand when pulling into what was then considered an automated tollbooth (long before the days of ipass scanner technology). He’d toss in his coins without coming to a stop, punch the accelerator, and race toward the tollbooth red light, his goal, to trip the alarm before the light turned green—ding, ding, ding, ding, ding!

And on the rare occasion the green light beat dad to the punch, he was visibly disappointed, a lost chance to stick it to the man–or at least tweak him–without technically breaking any rules.

I still remember asking dad why he did it. His answer was borderline blasphemous: “I don’t have time to wait for the goddamn light to turn green—I’m a busy man!”

And with all due love and respect to my dad he was full of shit; he blew those tollbooth lights because he didn’t play according to Hoyle.

These moments are still etched in my memory forty years later. And even with all the teenage relationship issues I had with my dad at the time, every time he’d trip those annoying tollbooth bells, I remember thinking he was about the coolest guy in the world.

With that kind of role model it’s no surprise I turned out the way I did. And not so outlandish that I ended up in Pahoa, a place where folks don’t play according to Hoyle.

From Outlaws to Barefoot Hippies With iphones

BarefootHippies

Pahoa has an outlaw reputation that was well earned back in the 1970s and 80s during its pakalolo heyday. Pakalolo (literally, “crazy weed”) is still around of course, but the heydays of yore are well behind Pahoa–for reasons beyond the scope of this post.

Hoyle and his rules notwithstanding, Dad wouldn’t have liked the old outlaw version of Pahoa, nor would he have been thrilled with today’s version either; way too many hippies for his liking, and not a single tollbooth to violate.

But dad would surely have appreciated the historical significance of Pahoa Town, and grudgingly acknowledged its funky Bohemian charm.

PahoaTown

Interestingly Hawaii’s own locals are harder on Pahoa than most mainlanders. Shortly after moving here it surprised me to learn that Pahoa’s reputation extended to our neighboring islands. I still remember exchanging business cards with a client in Honolulu who, upon seeing my Pahoa address, asked with tongue in cheek, “Who in their right mind moves to Pahoa?”

I’ve even heard of folks born and raised in nearby Hilo—just 30 miles away—who have never in their lives been to Pahoa Town, not even the Puna district, because of the bad rap we get. So bad is our rap, that even Dog the Bounty Hunter’s crazy wife Beth once warned viewers that, “Puna is a place you don’t want to be after dark.”

There’s a story behind Puna’s outlaw reputation, a topic for another day. Suffice it to say that the “Wild East” days of Pahoa Town are well behind us, but the reputation lives on.

Last time I ventured into Pahoa there were no outlaws, no bounty hunters, just some barefoot hippies drinking lattes and gazing at their iphones. (But let’s not tell Dog and Beth.)

TinShackDrnks

Who in their right mind moves to Pahoa?

Pahoa2

If my circle of friends is any indication, people in their “right minds” actually do live in Pahoa, but they tend to stand out. The good news is, Pahoa tolerates normal people too.

For context it’s worth touching on local demographics. In addition to the native Hawaiians, Pahoa and the surrounding area is populated by locals of various ethnic and racial backgrounds, many of mixed heritage, many third and fourth generation Japanese. Being that this is their turf and all, the local folks would logically represent “the norm” in this context–which by default makes the rest of us the oddballs.

The area has also had a new influx of transplants from around the world over the past decade, mostly from the mainland. Last I checked Caucasians are still in the minority in the Puna district, and that’s fine with me, as my former life in Japan taught me to embrace being the only white guy on the block.

PunaDemographics

It’s useful to think of Puna locals as a completely different culture, richly diverse, but generally much closer to Asia than mainland U.S.A. The fact that the locals speak English can almost lull you into thinking otherwise, but deep below the familiar linguistic surface, culture gaps abound.

To an outsider–even folks from Honolulu–the Puna district seems like a strange, exotic foreign country. But most Puna locals I know, within the context of their own cultural norms, tend to be a socially conservative lot. So let’s forgive them for thinking us newbie transplants are a little strange and not quite right.

KarateHouse

Pahoa1

But all bets are off for the rest of us who moved here in search of Hoyle-free horizons. We colored outside the lines of our respective cultures, and were just crazy enough to move to the world’s most isolated landmass at the foot of the world’s most active volcano. I think Pahoa is a better place for it.

After living through two disasters in just the past three months, you’d think I’d be ready to pack up and run for the hills. Amazingly these disasters have had the opposite effect: after being on the receiving end of so many kindnesses–through hurricane Iselle and now this sputtering lava flow–I’ve fallen deeply in love with my community.

I’d be remiss not to mention that Pahoa has more than its share of warts: crime, poverty, alcohol and meth addiction, spousal abuse, homelessness—the same stuff we had back on the mainland. So if you’re looking for trouble in Pahoa–or anywhere in Puna for that matter–it’s easy enough to find.

But if you’re looking for good-hearted people who have your back when the power goes out or the lava hits the fan, well, they’re even easier to find, and sometimes they find you. (Learned this firsthand in the aftermath of Hurricane Iselle, when on three different occasions during a 5-day power outage, folks showed up at our front gate with free ice, two of them complete strangers.)

No matter what happens with our ongoing lava flow, no regrets moving here: so much good has come to my family, so many new friendships formed, such a rich, meaningful life we live. Did I mention the weather is awesome? No, we’re not going anywhere.

And if my dad were alive today he’d tell me what a dumbass I was to live at the foot of an erupting volcano in a house anchored to a concrete slab sitting in the path of a lava flow. If he put it that way I’d have to agree with him. But I’d remind him that I don’t play according to Hoyle either, and he’d understand–at least I’d like to think so.

Stay tuned for more ramblings on Pahoa. If you like classic rock from the 60s and 70s, check out these two jams we stumbled onto in our town’s main parking lot behind Luquin’s one lucky evening.

Akebono

We ended up hanging with a bunch of old hippies, the real deal. (Unlike dad, I’m totally chill with the hippies). Together we took a musical trip down memory lane while we lamented the passing of Pahoa, now looking like a premature eulogy with the flow front stalled. But here’s what things looked like from town back then!

Plume2

What the clips below mean to me, is that Pahoa has the magic–the mana–to make a group of strangers hold hands and feel like old friends. (And please forgive the dark image, I took this at night with an iphone; but hopefully the spirit of the moment comes through):

Copyright © Tim Sullivan 2014

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Ramblings from the Wrong Side of a Lava Flow

LavaMalama

Plume from the lava flow approaching Pahoa Town

As a kid growing up on the north side of Chicago I never imagined my house might one day be in the path of a lava flow. (Lava only flowed in Saturday morning movies, and usually involved dinosaurs). Never once did I entertain the notion that I’d someday live on an active volcano; it was an undreamt future that, against all odds, somehow came true.

It happened eight years ago when my family decided to trade in the brutal Chicago winters for life in the subtropics. We up and moved to the Puna district on the Big Island of Hawaii, at the foot of the world’s most active volcano. It seemed like a good idea at the time.

When lava started flowing from the north flank of Pu’uo’o vent on June 27th of this year, I wasn’t paying much attention, nor were many other people. After all, the flow front was still well over ten miles away, plenty of time and space to sputter out.

So everyone went about their business: homes were bought and sold, progress on the new park and shopping center didn’t miss a beat. Restaurants continued serving food, stores peddled their wares, the town loiterers loitered. Life went on as it always did in lower Puna.

But the pesky flow kept coming. Weeks later it was advancing in an easterly direction with no hint of slowing down. It now had our undivided attention.

Clueless about the subtleties of our island’s topography, I rationalized: it’s clearly going east into the cracks in the rift zone; with a little luck it’ll drain into an old lava tube and come out somewhere downhill, far away from my neighborhood.

And the lesson here is, don’t believe everything you think, especially the wishful stuff. I had no idea.

Living On the Edge of a Lava Flow

For a while we were doing okay, right up until the lava overflowed from those darn cracks, spilled over onto the north slope, and started flowing in a northeasterly direction. It was now headed directly for our beloved town. And beyond Pahoa, downhill just a few more miles, is my subdivision, Hawaiian Shores.

Yikes.

FlowPath2House

Notice the location of my house: I’m living on the edge of the projected flow path. Red arrows are mine to indicate general anticipated direction based on paths of steepest descent. (Source: Hawaii Volcano Observatory lava maps)

And still I was hopeful—or maybe delusional is a better word. But even in the depths of denial I couldn’t help but worry. Surely the flow doesn’t have the legs to reach Pahoa Town…does it?

Well, as of today it’s had just enough “legs” to crawl within a few miles of Pahoa. And based on the topographical information provided by county scientists, it’s now poised to roll right through the middle of town in the general direction of our Post Office. It will literally cut Pahoa in half.

For better or for worse, the flow has stalled for the past several days, but it’s slowly starting to advance again, so who knows? Talking to the folks from the county, all their plans and actions moving forward are predicated on the assumption that the flow will continue to advance, and eventually cross highway 130, lower Puna’s lifeline to Hilo. They urged all residents to plan accordingly.

And that’s exactly what we’ve done.

Waiting for Pele

The downside to our holding pattern is how nerve-wracking uncertainty can be. And yet, we’re always being reminded that uncertainty is part of life. Intellectually we know it’s there, but it feels so good to pretend it isn’t. Slow-moving lava has a way of shoving uncertainty in your face.

And here we are–waiting for Pele.

This disaster is a strange one; so devastating and yet forgiving. It’s all happening in slow motion. On the one hand it will allow nine thousand souls to escape a fiery death in orderly fashion. But it will also leave every one of them to a future that promises only uncertainty. What we know for sure is that no matter what happens, life in lower Puna is about to change forever. Some would argue that it already has.

The worst case scenario for lower Puna would be if the lava ever reached the ocean, a potential reality that would cut off lower Puna from its only remaining direct lifelines to Hilo. In other words, the main highway and both alternate routes on the east side would all be covered in lava, and the twenty-five mile drive to Hilo would become a seventy-plus-mile trek on a very substandard road, at least a several-hour, one-way commute under the best of conditions. If and when the situation ever reaches this point, you can bet there will be lots of houses in lower Puna sitting empty.

We’ve resigned ourselves to accepting whatever Madame Pele throws at us, which we’ve concluded isn’t so horrible. In the event that we lose our home, we take comfort in knowing we’ll live to fight another day. We also know that things could be much worse, and it makes us thankful that they aren’t.

Still, part of me wishes Madame Pele would be a little more decisive here, just so the nine thousand people in my community can move on with their lives.

But we all know that’s not how the fiery lady rolls. Until the flow actually crosses the highway, those of us who remain on the “wrong side of the flow” will continue to flounder in lava limbo.

Life Goes On

Even with all the talk of gloom-and-doom, life goes on in Puna today. The postman just delivered our mail. Folks are hauling their garbage to the dump (now the closest point to the lava flow). The electric company is servicing power lines, our favorite restaurant is still packing in hungry crowds. Many other shops are open too. Even our loiterers seem to be sticking to their routines.

But beneath the façade of normalcy tension simmers, you can feel it. Uncertainty is in the air. People are scared. Some are desperate–they have no place to go if the lava flow cuts off access to Hilo.

But no one knows for sure what will happen, that’s why this story is so compelling. And it’s one reason my wife and I have chosen to stay: we need to watch it unfold and share our perspective, even if it’s from the wrong side of the flow.

For a perspective on the cross-cultural dimension of this flow, checkout Glimpses of Culture Through a Lava Flow: Bomb the Crater or Clean Your House? 

In the meantime, some recent pictures of Pahoa.

Kaleos

My favorite restaurant, their food rocks. Was thrilled to hear the owners say they’ll stay open “until the lava reaches our steps.”

MikesPizza

Ah Mike’s New York Pizza, an enigma. Mike and I had a rough start but I learned to like his pizza and overlook his shortcomings, lol. Mike’s not even there anymore. My wife says we should call it “Not Mike’s New York Pizza Anymore.” Need to eat there at least one more time.

BoogieWoogie

Boogie Woogie Pizza

Akebono

A true relic of the past. Based on current projections, it won’t be close to the flow.

Luquins

Luquin’s, our Mexican restaurant

PelesKitchen

Pele’s Kitchen, a great place for breakfast

PahoaPainting

Classic Pahoa!

Sukhothai

(Blogger’s Note: Through all the sadness and human tragedy associated with this flow, I am completely captivated by this story and can’t stop watching. The flow is creating genuine human drama in our community; a contrived reality show couldn’t be more compelling. We’ll cover the ripple effect of the flow in future posts, with a focus on the cross-cultural ramifications.)

Copyright © Tim Sullivan 2014

Lessons in Culture from Twenty-Four Japanese Hula Dancers


kiwala'o

It was going to be a fun gig. Twenty-four hula instructors from Japan were to visit the Island of Hawaii to study traditional Hawaiian Kahiko-style hula from a local kumu hula. Our job was to facilitate communication and cooperation between the local hosts and our Japanese guests.

Upon arrival we placed a lei around the necks of our guests, then broke the Japanese “no-hug rule” with each and every one of them. (Freaked them out a little but made everyone smile.) Next stop was the local hotel where they rested and freshened up for our opening ceremony that evening.

The next four days our guests underwent intensive instruction from the local kumu hula, learning Kahiko basics and the proper chants, culminating in a sacred gathering at the edge of Hawaii’s smoking Halema’uma’u crater where they danced and chanted for Madame Pele.

I wasn’t there to witness the event myself but my better half was. Keep in mind my wife isn’t prone to hyperbole nor is she particularly spiritual. But if you believe her, it was an uplifting, awe-inspiring, emotional experience that ended with lots of hugging and crying.

If this is not a profoundly awesome way to connect cultures, I don’t know what is.

And while the ladies were crying and dancing and hugging and bonding up at the crater, I was busy at home setting up for our final celebration party, the last night before our guests would return to Japan.

We wanted the celebration to be authentic, with a human touch. So we decked out our car port, scrubbed the floor for our barefoot dancers, hired a local band to play traditional Hawaiian music, and brought in local-style food—or “grinds” as they call it here in the islands. We also invited lots of friends so our guests would get the chance to interact with living, breathing human beings outside their own culture.

And the party rocked! Our guests, most of whom weren’t shy about consuming beer and wine, spent most of the evening dancing hula in my carport, a lovely and memorable evening.

When the party was over, the charter bus pulled up to my front gate, our guests danced their way onto the bus, blew us kisses, and headed to Hilo where they’d spend their last evening on our lovely island. (Okay, I blew them kisses.)

The Danger of Gloating

The next day, shortly after our guests departed, we would glimpse our evaluations. Imagine our delight when we found nothing but glowing reviews.  An authentic experience! Exceeded our expectations! A life-changing event! It was perfect!

As you might imagine we were now pretty full of ourselves, and quietly gloated well into the afterglow of the project. Truth is the gig did go well. So well that we continued nurturing relationships within the Japanese halau. Forget that my gut was telling me we weren’t getting the whole story. Hey, when false information says you’re perfect who wants to argue?

Well, on our next visit to Japan we made it a point to visit our new friends in Tokyo and Osaka. As one might expect, our hosts graciously extended their exquisite brand of Japanese hospitality, in both instances taking us out for dinner and drinks. And once again we bonded, thanks to liberal amounts of beer and saké, although sadly no dancing this time. It was yet another step forward in nurturing our relationship. The after-dinner conversation with our Osaka friends in particular turned out to be a breakthrough.

Japan’s East-West Rivalry

For folks unfamiliar with Japan, it’s worth taking a cultural detour here to point out that the Tokyo and Kansai areas—Osaka in particular for this story—represent two distinct subcultures within Japan, a kind of “East-West” rivalry with historical roots that run deep.

I’ll preface my comments by saying that even though I spent all my ten years in Japan in the Tokyo area and have many dear friends who are from there, I absolutely love Western Japan’s Kansai culture.

As a native of Chicago I feel a particular kinship with Osaka folks. Just as Chicago is cast as “second city” to New York, so it goes for Osaka, always lurking in the shadow of Tokyo.

And even our sports teams have parallels. New York has the Yankees, Tokyo the Giants, both winning franchises with a long, proud history. In contrast, Chicago and Osaka have the hapless Cubs and Tigers with just two measly championships between them in the last thousand years or so.

But what I love most about Osakans is our mutual love of breaking rules, an endearing quality that resonates, probably because I come from a long line of rule-breakers myself. This also explains why I enjoy watching Osakans jaywalk with a purpose, ignore “Don’t Walk” signs, and shamelessly haggle at the department store then brag about their cheap score, behavior that describes many of my American friends to a T.

And just to show Tokyo folks that they don’t “play according to Hoyle,” Osakans even have their own escalator etiquette: while Tokyoites stand uniformly on the left, Osakans keep to the right, a brilliant passive-aggressive practice that just radiates defiance.

And last but not least, Americans generally find Osakans refreshing because they are more apt to tell you what they’re really thinking. And if we Americans like anything, it’s knowing where we stand with others.

Why Osaka and Tokyo Clash

So why would Osaka and Tokyo be so different? The widely accepted explanation is that Osaka is a “merchant culture” as opposed to Tokyo’s stodgy “samurai culture.”

The merchant-culture theory feeds the image of Osakans as pragmatic, entrepreneurial, down-to-earth, free-spirited and fun-loving, the opposite of their cultural cousins in Tokyo. At the risk of overgeneralizing here, there is indeed some truth to this characterization of Osaka, as the cultural tendencies are obvious to anyone who has spent time in Japan’s bustling merchant city.

But if you ask  Osakans to describe  Tokyoites, you’ll probably hear words like “cold,” “shy,” “reserved,” maybe even “stuck up.”

Can you feel the resentment? It shouldn’t surprise that Osaka’s resentment toward Tokyo has been building for a long time, thanks largely to the Kansai area’s long, proud, thousand-year cultural history and political dominance—that and the fact that Tokugawa (the shogun famous for uniting feudal Japan under a single ruler) had the audacity to make the Eastern city of Edo the seat of political power from the early 1600s. To add insult to injury, old Edo was renamed “Tokyo” (literally “Eastern Capital”) when the Tokugawa shogunate officially ended in 1868, prompting the Emperor to up and move East. Ouch.

Well this naturally stuck in the craw of the entire Western Kansai district and resentment simmers today—albeit mostly in a playful, creative way. Suffice it to say that if a battle of wits ever erupted between Tokyo and Osaka, Tokyo wouldn’t have a chance.

One can only guess that it’s a lot more fun and edgy being a hustling, bustling merchant than an obedient, protocol-following Samurai, although I never tried the latter. Still, the merchant-Samurai angle seems to explain a lot.

With this backdrop, the after-hours drinking party we had with our straight-shooting Osaka hula friends will make a lot more sense. But before returning to our story, let’s examine one more cultural concept pertinent to the discussion.

Official Reality Or the Real Story?

The Japanese have a dualistic concept they call “honne/tatemae” (pronounced “hone-neh/tah-teh-mah-eh”). Think of honne as “one’s true feelings,” and tatemae as “the truth for public consumption.”

It’s a concept that manifests in all cultures, of course. The difference is that the Japanese openly acknowledge the gap between what people say and what they’re really thinking. In America we kind of sweep it under the rug, even though we know deep down it’s there.

With the honne-tatemae dichotomy out in the open, Japanese listeners are quick to discern between a speaker’s honne and tatemae in any given interaction, although it’s a bit of a guessing game even for Japanese.

Americans, on the other hand, actually practice honne-tatemae but don’t have a name for it. It’s our quirky way of “looking the other way” and pretending it doesn’t exist. The closest concept to tatemae might be the “white lie” an American tells to spare someone’s feelings. What comes to mind is the standard American response when the host of a party asks a guest how the food tastes. No matter how bloody horrible it may be, most Americans will say it’s delicious just to keep the harmony and spare the feelings of the chef. (With the caveat that when brutally honest friends are involved all bets are off!)

So the real challenge in making an authentic connection with Japanese folks in general, is getting past the tatemae façade and gently coaxing out the honne. There are only two ways that I know of to accomplish this: one is develop a relationship of trust. The other is to go out drinking together.

Drinking is the quickest path to honne.

Honne…Osaka style

So back to our story–there we were, my wife and I in an Osaka beer joint, pounding mugs of Sapporo Draft with a dozen lovely Japanese hula dancers. And the more we partook of the hoppy brew, the more and more transparent our conversation became, and the elusive “honne” gradually made itself known.

Turns out there was, after all, one teeny-tiny little problem with our event—no, with MY event! The one thing my dear wife put me in charge of, the final celebration, left our guests with the proverbial “bad taste in their mouth”: they admitted to us–under the influence mind you–that we overwhelmed them with food, and that they felt really bad leaving so much uneaten. They said it was “mottainai” or “wasteful.”

As the guy who was charged with cleaning up after the party, I can attest that most of the ladies indeed ate only about half their portions. The rest went in the garbage because our guests were leaving early the next morning, and it just wasn’t practical to wrap up their food to go. This was totally on me.

Portion size might seem like a trivial matter, but it’s a great example of stumbling over a culture gap with the best of intentions. Ironically, as many deep connecting points that the Japanese share with Hawaii—volcanic island dwellers, shamanistic roots, a this-worldly spirituality with multiple deities (powerful female deities, mind you), and an awe-inspiring reverence for nature–where we stumbled was in the everyday, practical realm of breaking bread: in Hawaii it’s unacceptable to run out of food, so locals go to the extreme and provide massive portions. In contrast, Japan, a traditionally resource-starved culture, sees waste of any kind as taboo.

What our hula friends were telling us in their gentle, respectful, boozy way is that we failed to anticipate the optimum portion-size for them, forcing them to do what Japanese folks abhor doing: waste stuff, especially food.

Shame on me for not anticipating this from the start–I absolutely should have known better. The silver lining is that, thanks to our kind Osaka hula friends, I now in fact do know better.

It may sound strange to describe getting constructive feedback as a “bonding moment,” but it absolutely was in the most tangible sense. As I see it, our straight-talking Osaka friends thought enough of us to respectfully provide constructive feedback, although admittedly it took a few beers to get there. But in my eyes it was a wonderful gift, one that will last me a lifetime. What more can a friend ask for?

But the real gift was being part of an event that connected Japan with local Hawaii culture, and creating new friendships that continue today. Can’t think of a more gratifying way to to make a living.

Aloha nui from the Big Island of Hawaii.

Copyright © Tim Sullivan 2014

HAAS Charter School…Against All Odds

This evening, August 27th, 2010, a student-produced documentary on charter schools and educational reform will make its debut screening at the Hilo Palace Theater. The film, a year-long project of HAAS Productions, is entitled “Class of 2010”. The production team is based out of Hawaii Academy of Arts & Science public charter school and sponsored by the Pahoa non-profit Arts & Science Center. I encourage everyone who cares about our community, our children, our future, and educational reform in Hawaii to come support the students this evening. For more information click here

Here in the most depressed area of the State of Hawaii, we have a thriving charter school led by current candidate for Lt. Governor, Steve Hirakami. (Check out Steve’s website here.)

What’s amazing is that Steve and his cadre of dedicated parents and educators built this school against all odds, you might say “with one hand tied behind their back”.  Keep in mind that Charter schools get only a fraction of the funding that traditional DOE schools get. But what’s even more amazing is the quality of education kids are getting at HAAS. How do I know? My son graduated from HAAS, my wife teaches Japanese language there, I used to sit on the local school board, and I volunteer when my schedule permits. But don’t believe me. Check out this trailer produced by HAAS students.

And it makes you think: if HAAS can put quality back into education with minimal funding, imagine what the DOE could do with the same kind of leadership.

“Japan Wizards” Makin’ Puna Proud!

JASH President Ed Hawkins kicking off the annual Japan Wizard’s competition

Last Saturday 3 students from Hawaii Academy of Arts and Sciences (HAAS) competed in the annual Japan Wizards competition held in Honolulu, an event sponsored by Japan America Society of Hawaii (JASH). JASH paid all expenses, even airfare for participants from off-island schools.

The competition is conducted in a quiz format in which teams, each made up of 3 students, compete to demonstrate mastery of Japanese language and culture. Each school is allowed up to 2 teams, or 6 students total. Contest questions were all about Japan, topics ranging from education, culture, language, social trends and politics, to sports, pop culture, art and history.

The competition was set up for 2 levels: level A for students who have been studying Japanese 2 years or less, and level B for the more advanced students. HAAS students competed in level A. This year the prize for the top 2 teams in each category was an all-expenses-paid trip to Japan.

Keep in mind that this was the first time HAAS ever sent a team to this competition. (The Japanese language program at HAAS is in its 3rd year.) But these wonderful students–whose names I won’t list for privacy reasons–really did their school proud! And while they did not win the big prize this time, they placed a very impressive 7th out of 22 teams, scoring better than many teams that have been to the competition before. Indeed HAAS is the classic, lovable underdog. Many schools are better funded and have a larger pool of students to draw from. But HAAS students proved in this competition that they could match up even with the elite schools in the islands. Yeah, our team was scary good. (They’ll be even scarier next year. :-))

Not to imply that success came easy. Some “inside information” on the team’s preparation: each student researched information listed in the competition guidelines, they all volunteered to stay after school for supplemental study, and they did it with dedication and enthusiasm. Their teacher (also known as Samurai Wife) was amazed at how much they learned and retained in such a short period of time.

I’d be remiss not to mention that these students represented HAAS and their community with class and aloha. We are so proud of them.

After the competition the students told Kurumi they had such a good time that they want to compete again next year! Can’t wait. Gambatte kudasai! 🙂

Mysterious Wizard Lady (picture posted with Wizard mom’s permission)

Another Mysterious Wizard Lady! (Also posted with mom’s permission)

Congratulations to the winning teams!

Colonels and Kings Through the Pono Prism: What Do You Think About the Pahoa Woodland Center Development?

Doesn’t matter to me what your position is on the Woodland Center development. My feelings and opinions are conflicted anyway. At this juncture not much will surprise or offend me.

When I decided to write about this I cleared my mind then furiously made a list of every angle I wanted to cover. Then I had an epiphany and asked a fundamental question: Who the hell cares about my opinion anyway?

Then another epiphany: collectively our opinions matter. Sort of. Most of the time. Hopefully…

I’m not one to simply bash something then move on without any ideas on how to improve. My intent in covering this topic is to strike a balance between critical analysis and productive optimism. With that in mind, I thought that a more productive approach would be to encourage others to look at the Colonel and King through the “Pono Prism” and (hopefully) tell me what you come up with–other than mediocre food.

I have some opinions that I’m happy to share at a future date, but for now I’m interested in hearing how others see it.

To the multitudes who are too shy to post, I only ask that you be honest with yourself.

To those who are kind enough to play the game and post here: same request.

So here’s a chance for my readers–all two of you–to tell me how the Woodland Center development looks through the Pono Prism. The 5 key pono questions are:

1) How does the activity make Hawaii a better place?

2) How does the activity create opportunities for prosperity for all segments of the community?

3) How does the activity help connect the community’s past to its future?

4) How does the activity bring dignity to the community and the people who live around it?

5) How does the activity insure that the people who live in and around it can continue to live there?

I look forward to hearing your opinions.

Final comment: in the future it would behoove all of us to start asking these questions well in advance of any developments planned in our communities. Consider this our practice run.

Copyright © Tim Sullivan 2009